Żywy portret trojga queerowych przyjaciół, którzy próbują odnaleźć się w wirze współczesnej polityki genderowej. Film płynnie przechodzi przez serię przeplatających się winiet – z Internetu do realu, z lumpeksu przez parkiet do bezpiecznego, inkluzywnego ciepła łaźni. Historie te utkane są ze szczerych rozmów i refleksji, ubranych w cięte dialogi oraz wewnętrzne monologi. Mozaika współczesnych spostrzeżeń, podaną w bezkompromisowym, queerowym dialekcie: »złośliwość, plotki, zabawa, wrażliwość, melancholia, poezja, ból«

The works of today's most revered talents are set against a provocative, highly amusing commentary track in this celebration of queer art.

Unemployed and recently dumped, Daniel spends his days eavesdropping on his roommate who works from home as a therapist. He soon develops an obsession with one of her clients, a ruggedly masculine divorcee with explosive anger issues.

In all my years of doing press, I've been repeatedly asked about the white gaze. Rarely have I been set upon about the Black gaze; or the gaze distilled. This is an answer to a question rarely asked.

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Unethical Clinical Trials have been the silent killers for generations. It is everywhere at all times, just like the virus. One such trial has torn two lovers apart, a woman who had been a victim of misinformation and a man who overlooked the truth. Now, she is one of the 'wakers' in a ghost town called Orbit. They can never meet. Prolonged isolation and extended quarantines had subjected both of them to severe mental stress and anxiety. But, they still try to cope up with whatever they can, she sneaks in a phone to the washroom of the facility and video calls him. They both fear for each other. She must distract and stop him from 'blowing the whistle' to the world. And, he must tell the truth to save his girlfriend and all the 'wakers'.

For fifty years, Willy Holt was silent. He wanted to live, to have a family : he needed to forget. In 1995, however, this famous art director decided to pass on his memory through the story of his deportation.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Ana transcribes the news of a crime committed a few nights ago in the city. Surrounded by her colleagues, Ana’s eyes perceive something strange; the killer’s look will be fixed on her.